What follows is less of an interview and more of an unhurried conversation about marriages cracking apart, refrigerators that become metaphors, and a year that has seen Abir hold the screen in Raktabeej 2, Joto Kando Kolkatatei, and Putul Nacher Itikotha
For Debopriyo Mukherjee, those years were marked by an unspoken wait — a quiet pursuit of that elusive moment when a character is entrusted fully, without hesitation or caveat
