Bhanupriya Bhooter Hotel, directed by Aritra Mukherjee, promises a delightful cocktail of humour, chills, and heartfelt moments. The film brings together a lively ensemble cast with Mimi Chakraborty and Soham Majumdar forming one pair, and Bonny Sengupta and Swastika Dutta the other.
The film’s poster had already sparked curiosity. A tango-flavoured Latino number drops today, adding another layer of excitement and intrigue to the film’s rollout. Tumi ke, with its tango undertones and sophisticated rhythm, is a refreshing detour from the usual hypercharged party tunes. For Bhanupriya Bhooter Hotel, the origins of the song Tumi ke trace back several years before the film itself was conceived. Writer Zinia Sen shares that composer Anupam Roy, a close friend of her family, often brings his creations to them during informal adda sessions. Whether at their home or at his, music frequently becomes the centre of these long conversations. It was during one such visit during the Covid period, when Zinia Sen and co-producer Shiboprosad Mukherjee had gone to meet the composer, that Roy first played Tumi ke for them.
At that time, the idea of Bhanupriya Bhooter Hotel had not even emerged. Years later, as the film slowly began taking shape, the memory of that haunting composition resurfaced. Sen recalled the song one morning while on the way to office with Shiboprosad Mukherjee and wondered whether they still had the track. Mukherjee immediately recognised the reference.
The song — already written and composed by Anupam Roy — had lingered in their minds all these years. Once the filmmaking process began, it became clear that Tumi ke fit seamlessly into the narrative. Its mysterious tone aligned perfectly with the mood of the film, prompting the team to even restructure a key sequence around the track. When the song was revisited after years, Nandita Roy and the team embraced it instantly. It has since remained a constant companion during long drives, location recces and work trips — a piece of music that travelled with them long before it found its place in the film.
The team describes the track as a tango-flavoured Latino number, a refreshing shift from the usual party songs heard. Co-producer Shiboprosad Mukherjee, known for his deep interest in music, was closely involved in shaping the sonic direction of the track. According to the makers, he gave clear and precise instructions, having a very specific vision for the song’s flavour and energy.
The number is built around rhythm, footwork and strong movement, making it a demanding sequence for the actors. To match the choreography’s intensity, the cast underwent rigorous and disciplined training sessions, learning and internalising the dance style by the choreographer Mangesh Khedekar well before stepping onto the set.
“It is a haunted hotel, but this particular song was created specifically for the YouTube version. The team is not revealing what actually happens inside the hotel — that is being reserved exclusively for the big-screen release. While the full situation is not shown here, the scene depicts ghosts repeatedly bumping into the boundaries, creating a humorous atmosphere. A few spooky moments are also juxtaposed with the song, but those will appear only in the theatrical version,” said director Aritra Mukherjee.
“We had a nice time shooting for the song. The film is really entertaining and features a lovely soundtrack that audiences are sure to enjoy. This track, especially, is perfect for the upcoming party season — people will love dancing to it,” said Mimi Chakraborty.
“Growing up in India — especially Bengal — song and dance are in our blood. Dance was always my escape, where technique never mattered and ‘visarjan dance’ ruled. So being part of a film with full-blown song-and-dance routines felt like a childhood dream fulfilled. This is my second time working with Windows, and to me, they’re more than a production house — they nurture Bengal’s cultural fabric. Collaborating again with Aritra Mukherjee, Zinia Sen, and the entire team felt like being at a rock concert. Mimi is an extraordinary co-star — fierce, nurturing, and truly one of a kind. After working with her, I’m an even bigger fan. Ironically, I shot the song with a 102° fever, but the team’s support made it possible and I think we’ve created something special. My castmates Bonny and Swastika were incredibly supportive. Bonny, who I feel is often misunderstood, has so much to offer as an artiste — and he even taught me how to lip-sync properly. I hope the audience finds a moment to listen to our song. And if you do, I’m sure your body will start swaying on its own,” said Soham Majumdar.
Tumi ke brings a striking visual identity to the screen. The actors appear in classic tango-inspired costumes — form-fitting outfits with rich pink, reds and blacks that mirror the dance’s intensity. The overall look is glamorous, dramatic and unmistakably passionate. Moody lighting, warm shadows and a new-age set create an atmosphere straight out of an intimate tango hall. Every frame carries a blend of sensuality and sophistication, giving the song a distinctive aesthetic tango flair with a fresh Bengali touch.
“Tumi ke is very special to me as it’s my first song with Windows, which makes the excitement double. From the first listening session, this track stood out, and when Aritra told me he wanted a tango–salsa vibe, I was ready to rehearse as much as needed to make it perfect. A big thanks to our choreographer for guiding us throughout. Working with Mimi, Swastika and Soham was a wonderful experience — each brought great energy to the set. The entire team kept motivating us, and Aritra’s calm guidance helped us push our performance further. I truly hope the audience loves the song. More exciting tracks are on the way — keep supporting us,” said Bonny Sengupta.
“It’s a privilege to work with Windows once again, and I’m truly grateful to Zinia Sen and Aritra Mukherjee for considering me after Fatafati in Bhanupriya Bhooter Hotel. This project has been a roller-coaster, and I thoroughly enjoyed exploring the horror comedy genre for the first time. For the very first time, I’m presenting a tango performance to my audience. I don’t know how much justice I’ve done to Anupam Roy’s amazing track, but it’s definitely a privilege to share the screen with Mimi Chakraborty, Soham Majumdar, and Bonny Sengupta — and the cherry on top is starring opposite my first-ever hero, Bonny,” said Swastika Dutta.
What are your favourite dance numbers from Bengali films?
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