One of Irrfan’s inimitable creations, Rana in Shoojit Sircar’s Piku graces the screen without much ado, unlike the rest of the characters who are constantly on the edge. Yet, it is under R...

One of my earliest memories of theatre is of darkness. I am a sleeping child, eyes shut tight, about to be slaughtered at the divine altar. It is Rabindranath’s play, Bisarjan, where the go...

Dhritiman Chaterji and Raju Raman discuss the directions in which cinema has gone after the 1970sRaju Raman: Maybe in the 1970s, the distinction between ‘commercial cinema’, looked down upon by in...

Utpal Dutt minced no words when he described his theatre as ‘a weapon of political propaganda’. He also iterated that ‘the people who can’t read or write’ are ‘the people who matter’ and...

If you’ve ever stopped for fruits at the stall outside AE Market and felt intimidated by the big, burly man behind the counter who speaks in a loud baritone voice, you are not alone.“My voice and ...

Agar main Pascal hoon toh aap rascal hainOkay, when this line comes, we are nearly at the end of Gol Maal, and have split our sides laughing along with this film that completes 40 years this month. So...