Ear this

Rita Ora thinks it’s pointless to wait till V-Day to visit the fate of her acting career. The Radioactive singer, who plays Mia Grey (Christian Grey’s adopted sister) in Fifty Shades Of Grey, has already signed up for the two sequels of the erotic drama. “Music is obviously my main focus in life, but the movie was planned for when I had time to focus on it,” she told The Sun. Director Sam Taylor-Johnson needs to keep the earpiece ready because the singer needed one to stop tripping on her lines. After all, it was hot-hot-hot on the sets!

Scent of Happiness

Beauty is only age-deep and 74-year-old Al Pacino proves it by going around town with his 35-year-old girlfriend Lucila Sola (Pride and Prejudice, Moving McAllister). The two were spotted at New York City’s JFK Airport. The Godfather star wore blue mirrored sunglasses while Lucila was busy making the right moves to show off her lacy sleeveless top. Though they have been in a relationship for four years, they’ve never looked happier!

House full again?

Will the never-ageing Uncle Jesse return on screen with Danny and Joey? Warner Bros. Television is thinking of reviving the classic TV show Full House, which ended in 1995, reports TV Guide. Talk of a sequel has been in the air for months and John Stamos (Uncle Jesse) recently told Watch What Happens Live that he was “working on a twist on a sequel”. The show’s three leading men –– Stamos, Bob Saget and Dave Coulier –– reunited in January on Late Night With Jimmy Fallon for a skit. Wonder how toddler Michelle Tanner (played by twins Mary-Kate and Ashley Olsen, now 28) would sound if sh

Dead or alive?

What happened to Tony Soprano (played by James Gandolfini)? In the finale of the popular TV show Sopranos, Tony’s family gathered in a diner while Don’t Stop Believin’ played in the background. The final shot is of Tony’s face and then comes a cut to black. The show’s creator David Chase told the Vox: “No he isn’t” to the question whether Tony dies at the end. But then David denied it all in a press statement, which reads: “The final scene of Sopranos raises a spiritual question that has no right or wrong answer.”