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In pictures: The wonders of the Maratha fort of Maheshwar

On the banks of the Narmada in Madhya Pradesh, stands the seat of one of the most famous queens of India

By Rangan Datta | Published 12.08.22, 01:00 PM
1/6 The walls of the massive Maheshwar Fort rise out of the banks of the Narmada River to almost 100 feet and the first sprawls on the north bank of the river. The first fort complex is older, but the present complex dates back to the time of Ahilya Bai Holkar (reign 1767-95). Among one of India’s most famous rulers, Ahilya Bai was the wife of Khande Rao Holkar and daughter in law of Malhar Rao Holkar, the founder of Holkar dynasty

The walls of the massive Maheshwar Fort rise out of the banks of the Narmada River to almost 100 feet and the first sprawls on the north bank of the river. The first fort complex is older, but the present complex dates back to the time of Ahilya Bai Holkar (reign 1767-95). Among one of India’s most famous rulers, Ahilya Bai was the wife of Khande Rao Holkar and daughter in law of Malhar Rao Holkar, the founder of Holkar dynasty

All images by Rangan Datta
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2/6 Ahilya Bai commissioned two architects from Rajasthan to redesign and construct parts of the Maheshwar Fort. The architect brothers Bhujdar and Gajdar designed the fort like many Rajasthani palaces, complete with arches, balconies, oriel windows and dozens of elephant freezes

Ahilya Bai commissioned two architects from Rajasthan to redesign and construct parts of the Maheshwar Fort. The architect brothers Bhujdar and Gajdar designed the fort like many Rajasthani palaces, complete with arches, balconies, oriel windows and dozens of elephant freezes

3/6 The best views of the Maheshwar Fort are obtained from the bank of the Narmada River. A long flight of steps leads directly from the river to the massive arched gateway of the cenotaph complex (in picture). The domed cenotaphs (locally known as ‘chhatris’) are a common architectural feature in central and western India, and house the ashes of the deceased

The best views of the Maheshwar Fort are obtained from the bank of the Narmada River. A long flight of steps leads directly from the river to the massive arched gateway of the cenotaph complex (in picture). The domed cenotaphs (locally known as ‘chhatris’) are a common architectural feature in central and western India, and house the ashes of the deceased

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4/6 The larger of the two cenotaphs belong to Ahilya Bai and was commissioned by her daughter Krishna Bai. It is also known as Ahilyeshwar Shivalaya since the inner sanctum has a ‘shivalinga’, along with a statue of Ahilya Bai. The cenotaph is designed as a pillared ‘mandapa’ built in the Nagara style and stands on a raised platform with beautiful floral and geometric friezes on its side. Its towering black curvilinear tower is capped with a brass finial

The larger of the two cenotaphs belong to Ahilya Bai and was commissioned by her daughter Krishna Bai. It is also known as Ahilyeshwar Shivalaya since the inner sanctum has a ‘shivalinga’, along with a statue of Ahilya Bai. The cenotaph is designed as a pillared ‘mandapa’ built in the Nagara style and stands on a raised platform with beautiful floral and geometric friezes on its side. Its towering black curvilinear tower is capped with a brass finial

5/6 The other cenotaph belongs to Vithoji Rao Holkar, the younger brother of Yashwant Rao Holkar, who was the son of Ahilya Bai’s nephew and successor. Vithoji Rao plundered the Peshwa territories and was finally captured by Peshwa Baji Rao II. He was killed in 1801 — trampled by an elephant. His ashes were brought back to Maheshwar and placed in this cenotaph

The other cenotaph belongs to Vithoji Rao Holkar, the younger brother of Yashwant Rao Holkar, who was the son of Ahilya Bai’s nephew and successor. Vithoji Rao plundered the Peshwa territories and was finally captured by Peshwa Baji Rao II. He was killed in 1801 — trampled by an elephant. His ashes were brought back to Maheshwar and placed in this cenotaph

6/6 Although much smaller than the Ahilya Bai’s cenotaph, it has a distinctly different design with a domed top and many intricately carved stone freezes. This too stands on a raised platform and has elephants etched in the freezes on its three sides

Although much smaller than the Ahilya Bai’s cenotaph, it has a distinctly different design with a domed top and many intricately carved stone freezes. This too stands on a raised platform and has elephants etched in the freezes on its three sides

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