Modern cricketers are, more often than not, ordinary writers. The most engaging writers on the game — C.L.R. James is one example — need not be cricketers at all. But Mike Brearley is a notable exception to such assumptions. The Englishman captained his country with distinction: while reading On Cricket together with No Spin, Shane Warne’s run-of-the-mill reminiscing written with Mark Nicholas, the reader is convinced that the Australian would be beaten by the Pom when it comes to, not the battle with the bat but, the tryst with the pen.

Modern cricketers are, more often than not, ordinary writers. The most engaging writers on the game — C.L.R. James is one example — need not be cricketers at all. But Mike Brearley is a notable exception to such assumptions. The Englishman captained his country with distinction: while reading On Cricket together with No Spin, Shane Warne’s run-of-the-mill reminiscing written with Mark Nicholas, the reader is convinced that the Australian would be beaten by the Pom when it comes to, not the battle with the bat but, the tryst with the pen.

Modern cricketers are, more often than not, ordinary writers. The most engaging writers on the game — C.L.R. James is one example — need not be cricketers at all. But Mike Brearley is a notable exception to such assumptions. The Englishman captained his country with distinction: while reading On Cricket together with No Spin, Shane Warne’s run-of-the-mill reminiscing written with Mark Nicholas, the reader is convinced that the Australian would be beaten by the Pom when it comes to, not the battle with the bat but, the tryst with the pen.

Modern cricketers are, more often than not, ordinary writers. The most engaging writers on the game — C.L.R. James is one example — need not be cricketers at all. But Mike Brearley is a notable exception to such assumptions. The Englishman captained his country with distinction: while reading On Cricket together with No Spin, Shane Warne’s run-of-the-mill reminiscing written with Mark Nicholas, the reader is convinced that the Australian would be beaten by the Pom when it comes to, not the battle with the bat but, the tryst with the pen.

Modern cricketers are, more often than not, ordinary writers. The most engaging writers on the game — C.L.R. James is one example — need not be cricketers at all. But Mike Brearley is a notable exception to such assumptions. The Englishman captained his country with distinction: while reading On Cricket together with No Spin, Shane Warne’s run-of-the-mill reminiscing written with Mark Nicholas, the reader is convinced that the Australian would be beaten by the Pom when it comes to, not the battle with the bat but, the tryst with the pen.

Modern cricketers are, more often than not, ordinary writers. The most engaging writers on the game — C.L.R. James is one example — need not be cricketers at all. But Mike Brearley is a notable exception to such assumptions. The Englishman captained his country with distinction: while reading On Cricket together with No Spin, Shane Warne’s run-of-the-mill reminiscing written with Mark Nicholas, the reader is convinced that the Australian would be beaten by the Pom when it comes to, not the battle with the bat but, the tryst with the pen.

Modern cricketers are, more often than not, ordinary writers. The most engaging writers on the game — C.L.R. James is one example — need not be cricketers at all. But Mike Brearley is a notable exception to such assumptions. The Englishman captained his country with distinction: while reading On Cricket together with No Spin, Shane Warne’s run-of-the-mill reminiscing written with Mark Nicholas, the reader is convinced that the Australian would be beaten by the Pom when it comes to, not the battle with the bat but, the tryst with the pen.

Modern cricketers are, more often than not, ordinary writers. The most engaging writers on the game — C.L.R. James is one example — need not be cricketers at all. But Mike Brearley is a notable exception to such assumptions. The Englishman captained his country with distinction: while reading On Cricket together with No Spin, Shane Warne’s run-of-the-mill reminiscing written with Mark Nicholas, the reader is convinced that the Australian would be beaten by the Pom when it comes to, not the battle with the bat but, the tryst with the pen.

Sarah Wright earned her stripes playing the spunky Millicent in the smash-hit TV show Parks and Recreation. Her first big film was 2017’s American Made, in which she played Tom Cruise’s wife. The Doug Liman film focused on real-life characters Barry and Lucy Seal (Cruise and Wright) and their crazy escapades in a plot that included drugs, money and power. American Made premieres on Indian TV on January 26 (9pm on Sony PIX) and we caught up with Sarah for a telephonic chat on the film and beyond.

Sarah Wright earned her stripes playing the spunky Millicent in the smash-hit TV show Parks and Recreation. Her first big film was 2017’s American Made, in which she played Tom Cruise’s wife. The Doug Liman film focused on real-life characters Barry and Lucy Seal (Cruise and Wright) and their crazy escapades in a plot that included drugs, money and power. American Made premieres on Indian TV on January 26 (9pm on Sony PIX) and we caught up with Sarah for a telephonic chat on the film and beyond.