The Irishman
Hollywood  /  Published 01.12.19

The Irishman: Poignant crime tale

Oneof the all-time canonical moments in the work of Martin Scorsese — and, therefore, in all of American cinema — is the two-and-a-half-minute sequence in Goodfellas sometimes known as “the Copa...
By A.O. Scott/The New York Times News Service

Entertainment  /  Published 13.01.20

Martin Scorsese: ‘The curiosity doesn’t end’

Martin Scorsese is the most alive he’s been in his work in a long time, brimming with renewed passion for filmmaking and invigorated by the reception that has greeted his latest gangland magnum opus...
By Dave Itzkoff/The New York Times News Service

Entertainment  /  Published 02.11.19

Hugh the ‘rude’?

Upper class English actor refuses to shake hands with Pakistani bus driver’s son” would be one way of looking at it.The British film actor Hugh Grant has been accused by the UK’s Pakistani-origi...
By Amit Roy

Entertainment  /  Published 27.02.20

Al Pacino weighs in

Al Pacino enters the room at the Savoy hotly pursued by a Starbucks. He thanks its deliverer, one of many young people attending to the biggest star ever to be attracted to an Amazon Prime Video serie...
By Andrew Billen/The Times, London

Entertainment  /  Published 20.10.19

For me, nothing works: Vishal Bharadwaj

We caught up for an exclusive chat with filmmaker Vishal Bhardwaj, who’s a board member of the Mumbai Film Festival, running from October 17 to 24. Excerpts: What can cine-goers expect this year?Vis...
By Ushnota Paul in Calcutta

Entertainment  /  Published 09.12.19

The Irishman: Subtle and full of unexpected twists

The concluding scene of The Irishman sums up the idiom on which over three hours of the film rests comfortably. An old Robert De Niro - looking older than his 76 years; something to emphasise for The ...
By Shyam G. Menon

Entertainment  /  Published 10.02.20

'Parasite' creates Oscar history, wins Best Picture

[{"id":1,"type":"text","value":"A foreign-language film finally conquered the Oscars.In a historic victory that highlighted the Academy of Motion Picture Arts and Sciences\u2019 scramble to diversify ...
By New York Times News Service/Brooks Barnes and Nicole Sperling in Los Angeles


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