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Regular-article-logo Monday, 12 May 2025

The festival of politics, played out

“Ek aur waqt beet raha hai, aur ek yudh prarambh  ho raha hai…NASBANDI NASBANDI” marks the beginning of the play Nasbandi, presented by Part Time Lovers, on April 19 at Academy of Fine Arts. 

Anuka Roy Published 22.04.15, 12:00 AM

“Ek aur waqt beet raha hai, aur ek yudh prarambh  ho raha hai…NASBANDI NASBANDI” marks the beginning of the play Nasbandi, presented by Part Time Lovers, on April 19 at Academy of Fine Arts. 

This play follows the shrewd, manipulative and power-hungry politician Connie (played by Rijita Chatterjee) who will go to any extent to hold on to her position. Killing people is almost her hobby and she won’t stand anyone who comes in her way or even tries to defy her. Her paralysed husband (played by Sayantan Banerjee), a suppressed man who wants freedom from his conniving wife, can do nothing but shout at the servant in frustration to vent his anger. Saurav Das, who is also the director of this play, is a character that represents the common man living under this oppressive regime. 

Nasbandi, meaning the end of fertility, has been used symbolically to show a world where one struggles to find an identity. Through the little anecdotes centred on the village where Connie lives, the play portrays how the individual identities are discarded at the altar of the market. The play celebrates politics by portraying it as a festival that reduces vulnerable human beings to political subjects.

Light and sound effects were employed to depict the darker side of politics. The stage set-up added to the visual appeal of the play. t2 explores moments from Nasbandi:

The play started not on stage but from within the audience seating area, when actors with their faces covered chased down the little child actor on to the stage and portrayed a rape. It took the audience by surprise and hooked them right from the beginning.
The music and dance along with Rijita’s bold and realistic acting brought out the dark face of politics. Power and Connie are synonymous in the world of this play. Whoever does not surrender to this power has no right to live. Her victory over the subjects is complete and is a festival, a celebration in itself.  
Connie, the face of contemporary politics, finds fulfilment in complete subjugation of people around her, when people are reduced to mere servile ballots to serve the politician’s purpose.

Pictures: Anindya Shankar Ray

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