![]() |
Three releases in two weeks. Three very different roles in two weeks. Three very different looks in three weeks. Prosenjit is on a roll.
After the bearded filmmaker in Khela and the clean-shaven-but-tough do-gooder in Ghar Jamai, comes the bespectacled, moustached middle-aged man of Takkar.
Tollywood’s hero number one is Ajay in Swapan Saha’s latest family drama. Or rather his latest Prosenjit drama. For Prosenjit is omnipresent here — in almost every scene, almost every frame. And he scores full marks for commitment and conviction, yet again.
In Takkar, Ajay and Chaiti (Rachana) are an estranged couple. He was a poor boy and she a rich girl who were happily married till Chaiti’s vicious aunt and a wicked brother plotted to drive them apart. Ajay then emerges strong as the self-made man forever in love with his wife, forever forgiving, forever standing up against wrong. Chaiti goes from the chirpy, lovestruck wife to an unforgiving middle-aged woman.
If Prosenjit is, well, Prosenjit, Rachana impresses in the substantial role. The minimum make-up and the chic pearl necklace give her the right look, too.
![]() |
Sharing screen time in Takkar with the lead pair are Varsha (Chaiti’s niece) and Rishi (Ajay’s nephew). Both disappoint. If Varsha needs some grooming and a much better wardrobe, Oriya hero Rishi is too little brain or brawn. He can neither act, nor fight convincingly.
The music is a drag — the tunes are bad and the lyrics don’t help.
But at the end of the day, this is a film for Prosenjit fans. Period.