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All that you should know about Harry Styles

He is well aware of the fickle nature of the music industry but that hasn’t stopped him from recording an album that’s reflective of life around him
Harry Styles at Coachella this year
Harry Styles at Coachella this year
Sourced by the correspondent

Mathures Paul   |   Published 22.05.22, 12:15 AM

It was 1987. The ever-charming Prince was at the equally charming age of 24. He was done with his album 1999 (released in 1982), featuring the one-night-stand song Little Red Corvette, packed with sexual metaphors, and two years later came the supremely beautiful Purple Rain, followed by a couple more albums. It was truly a creative phase for him.

The year 1987 was also the time when talks around AIDS was all over the place — some poorly-researched articles labelled it a pandemic and there were reports of how scientists in France were trying to come up with vaccine. Prince sang: In France, a skinny man died of a big disease with a little name/ By chance his girlfriend came across a needle and soon she did the same. Add to this gang violence in Los Angeles. The Challenger had exploded a year earlier. A few years ago, people close to Prince recalled how the musician thought it was an apocalyptic time.


Yet, the music that was being recorded at that time wasn’t the sign of the times. At the same time, he was at the cutting-edge of music technology, with the Fairlight keeping his console company. Fairlight Computer Musical Instrument was much more than a digital synthesiser, sampler, and digital audio workstation. The man records Sign O’ The Times on which he played all the instruments. He was always relevant.

So it wasn’t out of place when Harry Styles chose to call his 2017 debut solo single Sign of the Times, namesake but with different content. He sings: Just stop your crying/ It’s a sign of the times/ Welcome to the final show/ Hope you’re wearing your best clothes.

‘This is my favourite album’

The message Harry sent out while recording his song was that he too was trying to do something different, something that wasn’t reflective of his time with One Direction. It was a tragic ballad. The blustery metaphors continue well into his new song As It Was — In this world, it’s just us/ You know it’s not the same as it was — and the new album, Harry’s House, a collage of well-crafted pop songs with enough references.

“As I started making the album, I realised it wasn’t about the geographical location. It’s much more of an internal thing. When I took that title, put it to the songs we were making, it felt like it took on this whole new meaning and it was about, imagine it’s a day in my house. What do I go through? A day in my mind, what do I go through in my house? I’m playing fun music. I’m playing sad music. I’m playing this, I’m playing that. Feeling stuff. Kind of like a day in the life. I like all of that stuff. And I think while it obviously is a lot more electronic in a lot of places than anything I’ve made, it’s also so much more intimate to me. And so much more intimately made. It was like, ‘I’m going to play in my house and you can come visit 100 per cent, but I’m making this because it’s what I want to listen to.’ And this is my favourite album at the moment, and I love it so much,” Harry recently said during his interaction with Apple Music’s Zane Lowe, who is one of the most insightful music show hosts.

It’s very interesting times for Harry. When he was making music as part of One Direction, it was more about being young and being excited about being young. By the time One Direction took a break, the music world had changed and musicians like Billie Eilish and soon after, Olivia Rodrigo, started making their presence felt.

Harry spoke to Zane about how he felt the change. “I definitely had a really big moment, I think, when Billie Eilish first blew up. And I think being in the band, I’d always felt like we were really young. We were just really young, and it was fun and exciting because we were young. And I had a moment seeing her do this at such a young age where I felt like, ‘I’m not that young anymore’. And for a while it was, how do you play that game of remaining exciting? And I just had a moment where I felt like, ‘Okay, we are not the same thing.’ And in the same vein of, you’re not always going to be the young thing, I was like, ‘Okay. I would like to really think about who I would like to be as a musician. Well, I think we’ve ran into each other a couple times, but I’m, from afar, incredibly thankful to her because I feel like she felt like she represented something to me…. She totally broke the spell for me in a way that I’m very grateful for.”

‘No one knew where I was’

The 28-year-old singer in a way mirrors how Robbie Williams’ career took off after his time with Take That. For Robbie, life became interesting and entertaining minus all the boy-band meanderings. Not that Robbie and Harry don’t aim for radio-friendly sounds but lyrically they are magicians. Robbie has often recalled the difficult path he had to walk after Take That. Harry too had to clear out the trappings of an earlier musical life. He visited Italy, drove with a friend and then drove back all by himself. “It was like an open-ended trip…. I just stayed there for a couple of weeks by myself and [time] just went so slowly and I felt much more present than I’d been in a really long time. I’d walk around and I’d get a coffee and I’d sit down. I think I just relaxed a lot and felt like no one knew where I was and felt like a human being, and felt very small in a really nice way. And driving back, I was by myself for the whole drive. And I love driving,” Harry said during his interview with Apple Music.

The year is unfolding perfectly for the singer, especially when one considers his Coachella gig and the new album. But he is also aware of the fickle nature of the music business. The words of British actress Michaela Coel stay with him. She said: “Don’t confuse visibility with success.”

The As It Was singer agrees: “It can’t be put better than that, I think. And it’s not an easy place to get to, because it’s a world where we all just want to be loved, and then inside that, music is an industry where everyone just really wants to be loved really bad.  And everyone’s just kind of gagging for it in that kind of positive reinforcement. Yeah, and I think what is so exciting and dangerous about it is that you put so much love into an industry that’s so fickle, it loves you back when you’re doing well. And if you’re not, you’re just out. And it’s understandable, that it’s really scary to go away and be like, ‘No one’s talking about me’, or, ‘No one cares’, all of that stuff, get into that kind of place. And I have to get onto social media and remind people I’m alive or all of that stuff. And I just kind of feel like I did a lot of that constant thing when I was in the band.”

Harry’s House is overflowing with deep meaning, like Prince’s Sign O’ The Times (to understand the deeper meaning to the song, tune in to a short video produced by The New York Times, featuring Prince’s musicians). Of course, Prince had an answer when it came finding an escape route from all the bad news around him: Sign o’ the times mess with your mind/ Hurry before it’s too late/ Let’s fall in love, get married, have a baby/ We’ll call him Nate/ If it’s a boy. For Harry too, love remains the answer to all the problems around him and that’s what his new album reflects.

Hey Harry, we’re listening to ya
Subarthi Chatterjee, student, Jadavpur University
Kaninika Dey, student, Jadavpur University
Adrija Roy, student, Maulana Azad College
Riddhima Das, student, Ashutosh College
Saranya Roy, student, Bhawanipore Education Society College
Kashish Tibrewal, student, ISI Kolkata

As told to Sudarshana Ganguly (t2 intern)

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