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Hopper painting sells for $91m

The previous high for Hopper had been $40.5 million back in 2013
Visitors admire Edward Hopper’s painting Chop Suey at the Christie’s auction house in Paris.
Visitors admire Edward Hopper’s painting Chop Suey at the Christie’s auction house in Paris.
Stephane de Sakutin

Scott Reyburn   |   New York   |   Published 15.11.18, 07:33 AM

He is America’s most celebrated painter of the solitary realities of 20th century life. But on Tuesday night at Christie’s, Edward Hopper joined the unreality of today’s art market when his 1929 painting Chop Suey sold for $91.9 million, with fees, an auction high for the artist.

The previous high for Hopper had been $40.5 million back in 2013 (roughly $43.8 million with inflation).


Chop Suey was the most expensive of 91 works Christie’s offered from the estate of Barney A. Ebsworth, the Seattle-based travel entrepreneur and renowned collector of American art, who died in April.

Reportedly long-promised to the Seattle Art Museum, this much-exhibited painting of two young women seated in a sunlit Chinese restaurant had been estimated to go for $70 million to $100 million.

“Really, $100 million for a Hopper? I don’t know how they come up with these valuations,” said Howard Rehs, a New York gallerist specialising in American art, who, like other dealers, expressed incredulity at some of the estimates put on works in a “gigaweek” of Christie’s, Sotheby’s and Phillips art auctions that could raise at least $1.8 billion.

But Chop Suey was always going to sell, being one of 10 works in Christie’s 42-lot evening session of the Ebsworth auction backed by third-party guarantors. They hoped either to buy the works or be financially rewarded if they were outbid. The guarantor of the Hopper, for example, was rewarded with a handsome financing fee of about $4 million, deducted from the final price.

As was the case with the $833 million sale of the collection of David and Peggy Rockefeller in May, Christie’s had itself offered the sellers a guaranteed minimum price for the entire collection, the details of which have not been disclosed. The overall presale estimate was $261 million. The evening session raised $317.8 million.

The combination of some hefty estimates and third-party guarantees resulted in measured bidding for the top lots. Willem de Kooning’s 1955 canvas, Woman as Landscape, a rare early work at auction, took $68.9 million, with fees — also a salesroom high for the artist.

And the relatively small 1950 Jackson Pollock drip painting Composition With Red Strokes went for $55.4 million. Both works sold near their low estimates.

“It didn’t fly, but it was pretty solid,” said Philippe Ségalot, a private art dealer based in New York, referring to the auction.

With Christie’s securing the prime 20th century collection of the November auction season, Sotheby’s had been keen to include trophy works in its Monday evening sale of Impressionist and modern works.

Eyebrows were also raised by the $30 million Sotheby’s had guaranteed the New York collectors Ed and Deborah Shein to sell a 1913 painting by the pioneering American modernist Marsden Hartley.

The artist had hitherto achieved a high of $6.3 million at auction, according to the Artnet price database.

New York Times News Service 

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