The F1 album is a musical adrenaline rush that captures the full-throttle thrill of Formula 1 racing. Released track-by-track, the album — with 17 songs — roars to life with songs that reflect the sport’s turbocharged evolution from niche obsession to global pop culture phenomenon. Whether it’s Don Toliver’s swagger, Peggy Gou’s pulse-pounding beats, or Ed Sheeran’s firepower, every song mirrors the drama, intensity, and cosmopolitan flair of the racetrack.
F1 The Album showcases artistes from all genres and geographies, a fitting tribute to a sport that races from Monaco to Miami, Silverstone to Singapore. From hip-hop to rock to dance-pop, there’s a sound for every moment.
Ed Sheeran’s Drive shifts into high gear with an energy tailor-made for the F1 universe. Bursting with pulsing beats and slick guitar riffs, the track captures the thrill of acceleration, ambition, and adrenaline. Lyrics like “Pedal down and drive” and shoutouts to Monaco’s iconic curves make it feel like you’re right there on the circuit. But beyond the racing metaphors, Drive is an anthem for chasing dreams, moving fast, and never looking back. It’s Sheeran like you’ve never heard him before. Lose My Mind blasts the F1 movie into gear with pure adrenaline. Don Toliver and Doja Cat’s fiery duet captures the rush of speed and emotion, all chaos under control. Their voices weave through glossy synths and pounding bass like cars through chicanes, perfectly matching director Joseph Kosinski’s turbo-charged vision.
Bad As I Used To Be by Chris Stapleton brings a soulful, reflective pause to the high-speed action. His gravelly voice and heartfelt lyrics dig deep into themes of growth, resilience, and self-acceptance. As Sonny Hayes (Brad Pitt) takes to the track in a pivotal scene, the song mirrors his inner journey, confronting the past while pushing forward. Roddy Ricch’s Underdog fires up an anthem tailor-made for F1 rookies and dreamers. In the movie, that line echoes Joshua Pearce’s (Damson Idris) scrappy rise, always a few laps behind legend Sonny Hayes. But Ricch flips the script with, I Ain’t Got No Time For Chasing, reminding us it’s not about catching up, it’s about carving your own lane!
PAWSA’s Double C is a hypnotic ride through the heart of late-night euphoria, where beats bounce, lights blur, and emotions run wild. With references to long flights and all-night dancing, PAWSA captures the magic of those electric moments when strangers become soulmates, if only for a song. Just Keep Watching is Tate McRae’s boldest flex yet as she imitates the sleek F1 cars in the music video. With hypnotic beats and razor-sharp lyrics, McRae turns the song into a spotlight and asks you to keep watching it.
Even if you’ve never watched a Grand Prix, F1 The Album makes you feel like you’re on the grid, engine revving, heart pounding.