After watching Queens, one thing became abundantly clear to me: this is a series that knows exactly what story it wants to tell and does so with remarkable confidence, clarity, and conviction. It is a gripping tale of resilience, revenge, and female empowerment, brought to life by a team that understands the power of storytelling and the importance of strong character-driven narratives.
I would like to begin by speaking about the direction. I have followed most of director Nirjhar Mitra’s work over the years, and what has always stood out to me is his ability to tell stories in a refreshingly straightforward yet compelling manner. In an age where many narratives often become unnecessarily complex, Nirjhar believes in clarity. His storytelling is clean, focused, and emotionally engaging. He understands his audience and never loses sight of the emotional core of the story.
Having previously watched works like Dainee and Shikarpur, I have always admired his command over the thriller genre. With Queens, he once again demonstrates his ability to build tension while ensuring that every character remains emotionally grounded. What particularly impresses me is how effectively he extracts performances from his actors. Every character, regardless of screen time, feels complete and purposeful. From the framing of scenes to the pacing of the narrative, everything feels meticulously crafted.
I would like to extend my heartfelt congratulations to Nirjhar Mitra and his entire team for creating a series that is both entertaining and meaningful. Another aspect that deserves special appreciation is the production design. The production design by Salini Mitra is truly remarkable, creating a world so authentic and immersive that it speaks for itself. The world of Queens feels authentic, lived-in, and visually immersive. The locations have been chosen with tremendous care and presented beautifully on screen. Whether it is the homes, the streets, or the various settings across North Bengal, everything contributes to the atmosphere of the story.
The Sarkar household, in particular, leaves a lasting impression. It becomes more than just a location; it becomes a character in itself. The production design successfully captures the socio-political landscape in which the story unfolds and helps establish the emotional stakes for the audience. It is evident that significant effort has gone into creating a world that feels believable and visually rich.
Moving on to the technical aspects of the series, the cinematography by Prosenjit Chowdhury deserves special mention. The camera work throughout the show is exceptional. Prosenjit has always been a talented cinematographer, and his collaboration with Nirjhar Mitra appears to be a particularly effective one. There is a strong visual language that runs throughout the series, elevating the narrative without drawing unnecessary attention to itself.
The visual treatment of Queens is striking. The colour palette has been used thoughtfully, enhancing both the mood and emotional texture of the story. Every frame feels carefully composed, helping create a viewing experience that is aesthetically pleasing while remaining deeply connected to the narrative. The series looks cinematic in every sense of the word. The background score is another significant strength. Music often plays a crucial role in thrillers, and here it is used with great effectiveness. The recurring themes associated with key characters are particularly memorable.
Whenever Nilmoni Mishra, portrayed brilliantly by Joydeep Mukherjee, appears on screen, the accompanying score instantly heightens the sense of menace and authority surrounding the character.
Similarly, the musical motifs associated with the four women add emotional depth and reinforce their evolving journey from victims to warriors. The background music never overwhelms the scenes; instead, it enhances them. There is also a beautifully used song that accompanies one of the standout moments in the series. The song, which carries the spirit of celebrating womanhood and strength, perfectly complements the narrative and leaves a lasting impact.
Coming to the performances, I genuinely believe that one of the greatest achievements of Queens is the way every single character has been treated with respect and purpose. This is a testament both to the writing and to Nirjhar Mitra’s direction. Every actor, from the leads to those appearing in smaller roles, contributes meaningfully to the storytelling.
Even in a limited role, Kaushik Chattopadhyay leaves a lasting impact with his portrayal as father-in-law, bringing depth and authenticity to the character.
Despite having only a short appearance, he managed to command attention and demonstrate the presence of an accomplished performer. It is performances like these that elevate a series and make its world feel complete.
Durbar Sharma as Bhola is another standout. Bhola is an important character in the narrative, and Durbar brings sincerity, loyalty, and emotional depth to the role. His performance is restrained yet impactful, making him one of the most memorable supporting characters in the show. The younger performers also deserve appreciation. The child actors deliver natural and convincing performances, adding emotional authenticity to the story whenever they appear.
Joydeep Mukherjee as Nilmoni Mishra is simply outstanding. The character is intimidating, powerful, and deeply layered, and Joydeep brings all those dimensions to life with tremendous skill. His screen presence is commanding, and every scene featuring him carries weight. He embodies the character with remarkable confidence, creating a villain who is both compelling and terrifying.
Arna Mukhopadhyay also delivers a noteworthy performance, bringing depth and conviction to his role. Every member of the ensemble contributes meaningfully, ensuring that the series never feels dependent on a single performance.
Now I would like to speak about the four women at the heart of Queens. Baishakhi Marjit, portraying Sabitri, brings years of experience to the role, and it shows in every scene. Her performance is measured, nuanced, and emotionally resonant. She communicates strength and vulnerability with equal effectiveness, making her character deeply relatable.
Debjani Singha is another performer who leaves a significant impression. Having watched her theatre work over the years, I was delighted to see her bring that same level of commitment and artistry to the screen. Some of her most powerful moments come without dialogue. Through expressions, body language, and silence alone, she communicates emotions that linger long after the scene ends. Such performances remind us that great acting often lies in what remains unsaid.
Payel De is a remarkably powerful actor, and Queens provides her with several opportunities to showcase her talent. One particular moment stayed with me. Following a major incident involving a political figure’s son, there is a scene where the women are speaking to the press. While the focus of the scene is elsewhere, Payel remains in the background. Yet through her subtle expressions and emotional reactions, she captures the audience’s attention. She conveys confusion, grief, and emotional turmoil without saying a word. It is an extraordinary example of an actor remaining fully invested in a scene even when not at its centre. Only performers with genuine depth and understanding of their craft can achieve something like that.
And finally, Mimi Chakraborty. My special note for Queens undoubtedly belongs to Mimi. Her performance is exceptional from start to finish. She looks stunning throughout the series, whether in moments of glamour or vulnerability, but what truly stands out is her acting. There are several scenes where she demonstrates remarkable emotional control and intensity.
One particular moment that left a lasting impression on me is a scene following a traumatic incident where her character is physically and emotionally broken. In that sequence, much of the performance relies solely on her eyes and facial expressions. Without depending heavily on dialogue, Mimi conveys pain, resilience, anger, and determination all at once. It is an extraordinarily difficult thing to achieve, and she does it beautifully.
What makes her performance even more powerful is how naturally she embodies the spirit of Meera Sarkar. There is a sense of authenticity in the portrayal that makes the character feel real and deeply human. Beyond the series itself, I would like to applaud the creators for choosing to tell a story centred around women. As a woman, it is incredibly encouraging to see projects that explore themes of female empowerment, resilience, and solidarity without reducing their characters to stereotypes. Queens is not merely a revenge drama; it is a story about women reclaiming agency in a world designed to silence them.
I have immense respect for the team behind this project for bringing such a narrative to audiences. I sincerely hope we continue to see many more stories like this in the future — stories that place women at the centre and allow them to be complex, powerful, flawed, and inspiring.
On a personal note, I feel that the character of Meera reflects certain qualities that audiences have long associated with Mimi Chakraborty herself. Throughout her public life, she has consistently demonstrated courage, independence, and a willingness to stand up for what she believes in. Whether in her professional journey or public life, she has often faced challenges head-on and spoken her mind fearlessly. These qualities seem to resonate beautifully with the spirit of Meera. For that reason, the performance feels even more genuine and impactful. I wish Mimi continued success both on and off screen, and I hope audiences continue to celebrate her work.
Queens is a well-crafted, visually impressive, emotionally engaging, and powerfully performed series. From Nirjhar Mitra’s assured direction and Prosenjit Chowdhury’s stunning cinematography to the memorable performances delivered by the entire cast, every department contributes meaningfully to the final result.
Most importantly, Queens tells a story that deserves to be told. It is a celebration of strength, courage, sisterhood, and resistance. It is a story about women who refuse to remain victims and instead choose to become architects of their own destiny. My heartfelt congratulations and best wishes to the entire team of Queens, the cast, the crew, hoichoi, and No Country Films. This is a series that deserves to be seen, discussed, and celebrated.
What would you like to tell Mimi and Subhashree after reading this review? Tell t2@abp.in