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Stitched together

Several pieces hang from thin, rod-like fabric banners; some are topped with small scraps that resemble clothes drying on a line. The image is instantly familiar, especially to Calcuttans: domestic, ordinary, yet poetic

An artwork by Boisali Biswas Source: Galerie 88

Srimoyee Bagchi
Published 24.01.26, 08:33 AM

Boisali Biswas’s recent show, Reconnecting Strands: The Wefts of Time, at Gallerie 88 stitched together thread, cloth and time. Biswas, a Calcutta-born fibre artist, builds her works with great patience: on a loom, strand by strand, then layered with dye, paint, printing and stitching. That patience is visible. So is her willingness to let things stay imperfect. Frayed edges, loose ends and see-through passages are not accidents; they are intentional. Several pieces hang from thin, rod-like fabric banners; some are topped with small scraps that resemble clothes drying on a line. The image is instantly familiar, especially to Calcuttans: domestic, ordinary, yet poetic. These textiles behave like memory: stitched together, partly missing, and always shifting shape.

Up close, the surfaces reveal a patchwork of textures and techniques. Woven grids fade into painterly washes. Blocks of colour sit beside patterns that feel borrowed from lived spaces: windows, railings, stairs, the suggestion of a courtyard. In one blue work, birds and a cat appear as silhouettes on a pale, gauzy field, while dark, branch-like lines cut across the centre. The shadows cast on the wall become part of the composition, turning the gallery light into an extra layer of drawing.

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Biswas’s colour palette swings between climates. There are works soaked in turmeric yellows, rust and ember-orange, and others in wintery blues and greys. The shift feels emotional rather than just decorative, like a body remembering one kind of heat while standing in another kind of cold. A small installation of long, narrow, woven strips topped with blocky forms stands in a corner like a modest skyline or a row of markers. It pushes her practice beyond wall-hanging into something more sculptural, almost architectural. The exhibition does not lean on spectacle. Its strength is the belief that everyday processes that hold a life together make it beautiful.

Biswas’s use of reused materials and loom waste is not merely a trending slogan but a reminder of the green traditions that have quietly existed before being eclipsed by consumerism.

Art Review Visual Arts
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