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Since 1st March, 1999
 
THE TELEGRAPH
 
CIMA Gallary
 
A maestro in Manipur
If the masthead of this newspaper were long enough, or if the type it used were smaller, this column could have carried the title: ‘MEETING A MAESTRO ON A MISTY MORNING IN MANIPUR’....  | Read.. 
 
Letters to the Editor
Mother India
Sir — In a country where women’s health is neglected most of the time, the report, “Mums who eat we ...  | Read.. 
 
Losing appeal
Sir — The circus around the recent bandh called by the Trinamul Congress provides an insight ...  | Read.. 
 
Harmful joke
Sir — It is difficult to believe that a man can bite a snake, even if in a drunken fit. Subhas Bane ...  | Read.. 
 
EDITORIAL
INDIAN DOUBLE HELIX
The point is not new, but it is good to have a scientific and empirical demonstration of it. It has been asserted often enoug...| Read.. 
 
REVIEW ARTS
Curator’s curiosities
Dilip Ranade, born in 1950, is the senior curator of European paintings at what used to be called the Prince of Wales Museum in what used to be called Bombay. He studied draw...  | Read.. 
 
The pleasure of twaddle
Over the years, several theatre enthusiasts have asked why I even bother to watch the cheap imports that periodically provide featherweight entertainment to clubs and cultural...  | Read.. 
 
Innovative steps
Every classical dance form comprises a rich technique and a strict format designed by great maestros. Yet, this does not rule out the prospect of innovation. The balance betwe...  | Read.. 
 
Flesh and blood
Its pretentious title, Metareal, notwithstanding, the exhibition of watercolours by Sekhar Baran Karmakar at the Gandhara Art Gallery (April 12-19) made interesting use...  | Read.. 
 
THIS ABOVE ALL
Conversation as a fine art
My father was a compulsive party-giver. Curiously enough, no sooner had he invited half-a-dozen people for drinks and dinner...  | Read.. 
 
SCRIPSI
I’m never going to be famous. My name will never be writ large on the roster of Those Who Do Things. I don’t do anything. Not one single thing. I used to bite my nails, but I don’t even do that any more. — DOROTHY PARKER