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Two
international stylists, 28 dos and don’ts, dozens of silicone
bras and nipple tapes — tools that put paid to all those
waiting for a peekaboo at the recently-concluded Lakme Fashion
Week (LFW) in Mumbai.
With the moral police glued to
the models’ contours for the first hint of a slip, the fashion
week organisers had a tough task on their hands — of ensuring
more than 25 shows went without a wardrobe malfunction.
And the LFW organisers did manage
to do that quite successfully. All that oglers could catch
was a fleeting glimpse of model Sucheta Sharma’s silicone
bra as her dress shifted during designer Seema Khan’s show.
The rebel fashion week in Mumbai
had created quite a stir — from ramp to Assembly House —
during its debut edition in March-April, when the nation
was riveted to recorded glimpses of model Carol Gracias’s
halter blouse slipping off to reveal her breasts at designer
Bennu Sehgall’s showing (picture by Pabitra Das).
The very next day, Gauhar Khan’s
skirt zip gave way to reveal her bare bottom, at a Lascelles
Symons show. Wardrobe malfunction had shown it all — well,
almost — and became the password for fashion shows in India.
For weeks, images of Carol’s flash
of flesh was everywhere — in print, on TV, on mobile phones
and the Internet. So this time, LFW, drawing more curious
eyeballs for the repeat of a malfunction drama than for
the designer showings themselves, was determined not to
let a slip spoil the show.
Behind
the scenes
For a start, the two protagonists
of last time’s malfunction — designer Bennu and model Carol
— were nowhere to be seen.
The LFW advisory board then drew
up a 28-point guideline for models, designers and choreographers.
While the thrust of the rules was on stricter fittings schedules,
it was also mandatory for all models to wear nipple tapes
and bikini bras or silicone bras (as the outfit would demand)
for every show.
“We were made to sign a contract
that, among other rules, stated that we have to wear nipple
tapes and proper undergarments at all shows, irrespective
of whether the clothes were revealing, sheer or not,” reveals
model Shonal Rawat.
The fittings sessions spread over
four days preceding the fashion week were held under the
strict supervision of stylists Philip Scurrah and Kelvin
Harries, specially flown in from Australia to ensure international
standards. “After the mishaps at the last fashion week,
the LFW advisory board took into consideration the possible
stages where things can go wrong. We found that the backstage
proceedings are so rushed that it is not possible to impose
any checks there. So the strictures needed to be implemented
at the fittings sessions,” says Anil Chopra, vice-president,
Lakme Lever.
The “strict sessions” required
each garment to be checked by the stylists for finish and
fasteners and two-three rounds of fittings. The model who
would be sporting it at the show was made to walk in the
outfit and this was photographed to rule out last-minute
changes. “We had mini shows at every fittings session,”
adds Chopra.
Everybody
says it’s fine
No one’s complaining about the
cover-up. Not about the stern pre-show rules, not against
the on-ramp safety measures made mandatory here for the
first time ever. For models the precautions ensured safeguards
against nasty stares and frenzied fallout, while designers
got away with minor slips (think Seema Khan’s show).
“The fashion week went off without
any slips on the ramp because the organisers had ensured
enough precautions,” says model Tupur Chatterjee. The silicone
bras and nipple tapes were not uncomfortable, she stresses.
“I would never walk the ramp in something I am not comfortable
in. Whatever we were made to wear did not cause any discomfort.
In fact, I felt more confident and comfortable with such
measures that can help avoid embarrassing situations on
the ramp.”
City girl Shonal echoes: “In the
beginning it did feel a little awkward to wear stuff like
nipple tapes, but then we got used to it. And when the girls
realised that it was done to safeguard their interests,
no one complained.”
The designer brigade, too, has
welcomed the moves, measure for prudish measure. Says designer
Narendra Kumar: “In India, we are not in the business of
selling nipples and skin. The fashion week atmosphere was
very clean; the stylists did a commendable job and none
of the designers or models had any problems.”
Adds designer Payal Singhal: “Though
the outfits in my collection had proper lining and hence
didn’t demand nipple tapes, I would still welcome the move.
Like in the case of Sucheta Sharma, a malfunction was averted
just because of the undergarment. Also, silicone bras don’t
affect the shape or structure of the outfits and hence there’s
no reason why any designer should object to them.”
Officialspeak sums it up. “Many
designers and models are saying that this should be a standard
at all fashion shows across the country,” smiles Chopra,
the Lakme man.
Dream
global, act local
While our designers and models
have readily agreed to the no-show diktat, are such tools
common at international fashion weeks, too? No with a capital
N. “I have never come across models using nipple tapes and
silicone bras anywhere else in the world,” says Philip,
who has been associated with fashion weeks in New York,
London, Milan, Paris, Australia and New Zealand for over
a decade now.
Says Shonal: “I have walked the
ramp abroad and seen girls walking about wearing next to
nothing. So, silicone bras and nipple tapes are out of the
question there.”
So while India is taking giant
strides in the world fashion arena, aren’t these orthodox
measures a setback for the global image of our desi design
industry? With our designers wowing the West and our models
walking the international ramp, isn’t this a case of taking
one step forward and three steps back?
The industry does not seem to
think so. Reasons Philip: “The culture in India is very
different from anywhere else in the world. On the international
catwalk, it is not considered outrageous or embarrassing
if a mistake or malfunction happens. But here people react
very strongly. So, such measures are necessary here.”
Kelvin elaborates: “How much skin
can be shown on the ramp differs from country to country.
India being a conservative society, one has to be respectful
of audience sensitivity. Hence we advised the girls to wear
the required undergarments and they were very supportive.
After all, they are more concerned about protecting themselves
than anyone else.”
The contradiction of such a “audience
sensitivity” in the land of Khajuraho and Kamasutra is,
of course, quite another matter.
Shonal points out how, stripped
of everything else, it boils down to the people and their
perception of fashion. “Abroad, the audience sees a model
as a mannequin for a garment; the model’s body is not important.
But here, people ogle at a model’s body, often more than
the garment.”
Calcutta
call
Anyone sitting through a fashion
show in Calcutta knows precisely what Shonal is talking
about. At the recent Manish Malhotra show, his entire collection
was overshadowed by the (s)excitement generated by the swimwear
— that too through sheers — round, thanks to the army of
salivating men.
But chances of Calcutta borrowing
the Mumbai norms are remote. “Primarily because western
wear shows in Calcutta are rare and then too designers make
it a point not to show more than cleavage,” says event manager
Sanchita Kushary Bose.
Adds city model Sanjukta Das:
“No organiser or designer in Calcutta has asked me to wear
a silicone bra or nipple tape. But I prefer wearing silicones,
since a malfunction can happen anytime, anywhere.”
Maybe not, if the cover-up code
stays in place. |