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| Australian model
Megane Gale presents an Angelo Marani creation as part
of the designer?s Spring/Summer 2005 women?s collection
at the Milan fashion week. (AFP) |
Sabyasachi Mukherjee recounts
the hours leading up to the biggest show of his career so
far at the Milan fashion week.
My preparation for the Big Day
started with a good night?s sleep. I realise this is the
trick to a good start. While my assistants went out for
a late dinner after finishing work, I managed to slip out
of it and go to bed. Surprisingly, I managed to sleep like
a log. Perhaps it was the exhaustion and my body just gave
up. Or maybe I realised that there wasn?t much else to do.
I woke up relaxed and calm, which
I took as a bad omen because I am usually very edgy before
a show. Someone suggested that perhaps age was finally catching
up with me! I took a long hot shower and then had the thankless
task of dragging the girls out of bed.
Jojo and Yatan are fabulous stylists
so they insisted that the make-up call start at 8 am. The
models all looked as though they hadn?t slept in days, but
this added to the rumpled just-got-out-of-bed-and-hit-the-streets
look. Their hair had already been done the night before,
also for the slept-in look.
Breakfast proved to be an unpleasant
experience. My Bengali roots were showing. I need non-veg
food, especially eggs. Even the coffee was disappointing.
But at the table was the first time I heard the music. The
show coordinators, Aparna and Tanya of Preferred Professionals,
have done a lot of my shows and they know what I was looking
for. They didn?t let me down.
A firang listening to a
walkman while walking down Howrah bridge. That was the mood.
There was Bach, Beethoven and Mozart and retro love tunes
interspersed with street sound.
All the while I was waiting for
the panic attack. But it didn?t happen. It was actually
all very organised ? with a lot of help from my assistants.
Vikram is my backbone, and Pallavi, Divya and Sohini were
a huge support.
But 10 per cent of the show is
always last minute inspiration. So I went for a walk in
search of the final touches. Whether it is a peach with
a beautiful colour for a model to munch on while ambling
down the ramp to set off a green dress, or a twig to hold,
it depends on my mood on the day.
Finally, I got a little nervous
when I saw my name on the gate, alongside every major design
label. As a new designer, it had felt like a fairy tale.
Till I saw it in black and white, it may have just been
a fluke. For me, this was the high point of the day.
I anticipated that the backstage
madness was going to be worse than usual, because abroad,
shows happen much faster than they do in India. The 18 girls
would have to be changed between sequences in seconds. We
let them have a few sips of wine to soothe their nerves,
because Milan can be quite like the fashion Olympics. They
realised that they were representing the country, not just
a designer.
A lot of the indications about
how a collection will be received come from backstage. The
vibes from the local media told me there was nothing really
to worry about, even though most of their questions were
in Italian!
Then the music started and all
hell broke loose. There wasn?t a moment to think till Joey,
the last girl, walked on to the ramp, followed by a gaggle
of giggling models, eating chocolate for the final bow.
I saw my assistants slump to the floor in exhausted relief.
When the press entourage rushed
backstage I realised success was finally ours.
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